Drawing and painting and equipment
Yoga in Portugal 2010
Aim
My aim is for a course suitable for beginners and those with some experience of painting and drawing. For beginners I hope to foster an interest and appreciation of painting and drawing. As a complement to photography, as a personal record – and for future development. For those with experience I would hope to develop skills – seeing, colour mixing, composition, application (of paint or pencil strokes).
My first choice for subject is the landscape around us – both on the large scale (views - landscape) and the smaller scale (individual features – trees, bushes, details of buildings). If you are moved to paint by other forces I shall endeavor to tune into your thinking and advise accordingly.
Suggested minimum kit
Cushion to sit on, and hat (to shade the eyes).
Pencils, rubber, knife (or pencil sharpener) and pencil sketch book (cartridge paper 135 g/sqm).
Watercolours (tubes or pan) in a palette, two brushes (one as large as you dare!), water (pot & container) and watercolour sketch book (300 g/sqm).
If you just want to draw, skip the watercolours, but bring a couple of sketch books of different sizes.
Additional suggestions
Hardware
Sketching stool or cushion.
Sketching easel
Hat with peak or brim.
Paper
For watercolour painting the weight of the paper is important. The paper needs to be heavy (300 g/sqm – 140 lbs). You can buy paper this weight in sketch books or blocks, or loose.
For drawing cartridge paper (weight 135 g/sqm) is good. Again paper of this weight is available in sketch books and loose.
Pencils
A range of pencils are advisable - HB, 2B and 4B. Pencil eraser and pencil sharpener (a small sharp knife is best).
Charcoal
Charcoal or charcoal pencils are available. If you use charcoal it is important to ‘fix’ your drawing once completed to prevent it being rubbed away. Spray fixative is available in art shops. You will also need a ‘putty’ rubber or similar to erase mistakes.
Watercolour paints
Watercolour paints are available in tubes or in pans. With tubes you squeeze out what you want onto a palette – with pans the paint is open for use at all times. Water, a water container (for transporting water) and a water pot are needed.
Artist’s quality watercolours are the best to use, but student quality is acceptable. Watercolour palettes are available, where there is space to store the paints and space for mixing paint. Visit your local art shop or surf the web.
Colours
Colour groups |
Pigments |
Notes |
Yellows |
Yellow ochre (cold yellow)
Raw sienna (hot yellow) *
Cadmium yellow (bright yellow) * |
A range of the primary colours (yellow, red and blue) will aid colour mixing. I appreciate I have suggested nine colours – if that is too many you could select six - which I have put asterisks by. |
Reds |
Cadmium red, or bright red *
Light red (or Venetian red)
Alizarin crimson (cold red) * |
Blues |
Ultramarine blue (red blue) *
Cobalt blue (mid range blue)
Phthalocyanine (or Prussian) blue (green blue) * |
Orange |
Cadmium orange (mind range orange) |
A surprisingly useful colour when mixed with blues and yellows. |
Green |
Winsor green |
A bright intense green – good with foliage. |
Violet |
Winsor violet |
Good for darker tones – shadows |
Others |
Burnt sienna (a warm brown) |
Useful colour for the hot landscape. |
Brushes
The better quality the brush the easier it is to use. Brushes should be round. Sable are the best, but they are expensive. Sable mixtures are fine – ask in your local art shop. Buy the largest brush you dare. One good brush is all you need provided it is large as it will have a fine point. Treat the brush with care.
Camera
Photograph the subject of your painting for reference at a later date.
Peter Martindale – January 2010 |